The loss of identity through cancer, brain injury, travel, art, food, sex, wilderness and family,

and our journey to discover what lies beyond who we think we are.

Mother’s Day

Years ago, I discovered that the ways I was mothering didn’t serve me any more. I wrote this manifesto, shared it with our children, my husband, and a few mothers. I answered a lot of questions. You know, the kind of questions you answer when you’re giving up principles it seems the entire world agrees to — things like having pride in your children — and you wonder about the effect that might have upon your child’s growth.

The thing is, I don’t know about yours, but my kids have always been okay. Even in the rare moment they’ve been in danger in the world, there hasn’t been much required of me to make things right. Like the original Pink Floyd, now Natalie Maines’ song alludes to, a mother can inadvertently add bricks to a child’s wall through her overprotection and dogged need to keep them safe. When we all know that’s impossible. Children are made for exploration, adventure and mistakes.

In the years since I wrote what we jokingly call the Not Your Mama Manifesto, I realize that the role of mother limits my engagement with our now adult children (Possibly you know already how overcaring kinds of mothering harms, no matter what a child’s age.) I don’t need to be a parent now. I have no desire of the role. Though I love these fascinating people who came from my body and happened to grow up with me around. (Despite my terrible mistakes, they are really intriguing, creative and funny.) If they happen to like being with me too, great.

On Mother’s Day, don’t send me a card. Children never owe us anything. Especially not recognition for something they didn’t ask for: life. Our children know I will speak my truth. Anytime they ask. And that we are open to hearing what their experience of life is. That’s the best gift we offer each other.

This is my manifesto. On this Mother’s Day, why not write your own?

The Ways I’ve Mothered This Mama is Finished With:

1. Doing things for you without asking if you want or need it done.
2. Wanting to be validated as being a good mother with anyone other than myself.
3. Taking care of your physical, emotional, spiritual, intellectual needs when I don’t want to.
4. Living inauthentically to shelter or protect you from me, and my truth.
5. Living as if I don’t have the perfect mother on this earth for me.
6. Living as if the Earth Mother hasn’t already satisfied all my needs.
7. Blaming you when I see fault or mistakes — which is really my problem of not recognizing your perfection.
8. Feeling guilty because I can’t make things right for you (when that’s not my job.)
9. Thinking that you need to be anything other than authentically yourself to make me a better parent or woman. (eg./ the famous “No daughter of mine is going to become a stripper” remark)
10. Taking care of you to avoid my own pain, or the pain of seeing you “suffer,” including paying your way, giving unsolicited advice, doing your work, biting my tongue, feeling your feelings, taking pride in your accomplishments (that’s masked approval, and different than being happy for you), and setting your future with my expectations.


Thanks to Sheila Belanger, my fine Soulcraft mentor, who suggested this exercise to me, and constantly helps me see my life in wild, visionary ways.

Posted at 11:55am and tagged with: natalie maines, pink floyd, mother's day,.

Mother’s Day

Years ago, I discovered that the ways I was mothering didn’t serve me any more. I wrote this manifesto, shared it with our children, my husband, and a few mothers. I answered a lot of questions. You know, the kind of questions you answer when you’re giving up principles it seems the entire world agrees to — things like having pride in your children — and you wonder about the effect that might have upon your child’s growth. 

The thing is, I don’t know about yours, but my kids have always been okay. Even in the rare moment they’ve been in danger in the world, there hasn’t been much required of me to make things right. Like the original Pink Floyd, now Natalie Maines’ song alludes to, a mother can inadvertently add bricks to a child’s wall through her overprotection and dogged need to keep them safe. When we all know that’s impossible. Children are made for exploration, adventure and mistakes. 

In the years since I wrote what we jokingly call the Not Your Mama Manifesto, I realize that the role of mother limits my engagement with our now adult children (Possibly you know already how overcaring kinds of mothering harms, no matter what a child’s age.) I don’t need to be a parent now. I have no desire of the role. Though I love these fascinating people who came from my body and happened to grow up with me around. (Despite my terrible mistakes, they are really intriguing, creative and funny.) If they happen to like being with me too, great.    

On Mother’s Day, don’t send me a card. Children never owe us anything. Especially not recognition for something they didn’t ask for: life. Our children know I will speak my truth. Anytime they ask. And that we are open to hearing what their experience of life is. That’s the best gift we offer each other.

This is my manifesto. On this Mother’s Day, why not write your own?

The Ways I’ve Mothered This Mama is Finished With:

1. Doing things for you without asking if you want or need it done.
2. Wanting to be validated as being a good mother with anyone other than myself.
3. Taking care of your physical, emotional, spiritual, intellectual needs when I don’t want to.
4. Living inauthentically to shelter or protect you from me, and my truth.
5. Living as if I don’t have the perfect mother on this earth for me.
6. Living as if the Earth Mother hasn’t already satisfied all my needs.
7. Blaming you when I see fault or mistakes — which is really my problem of not recognizing your perfection.
8. Feeling guilty because I can’t make things right for you (when that’s not my job.)
9. Thinking that you need to be anything other than authentically yourself to make me a better parent or woman. (eg./ the famous “No daughter of mine is going to become a stripper” remark)
10. Taking care of you to avoid my own pain, or the pain of seeing you “suffer,” including paying your way, giving unsolicited advice, doing your work, biting my tongue, feeling your feelings, taking pride in your accomplishments (that’s masked approval, and different than being happy for you), and setting your future with my expectations.

Thanks to Sheila Belanger, my fine Soulcraft mentor, who suggested this exercise to me, and constantly helps me see my life in wild, visionary ways.

New Essay Collection!

This month I sent out my little book of essays, Creation Story. It was so natural to say yes to the making of this book. It began when a poet asked me to come to Orcas Island to read for their salon series.

“You realize I haven’t published my memoir yet?” I said.

“I’m so moved by your piece in Brevity. I want you to come here to share with our community. Read anything you want.”

I’d read my work publicly before, but never any of the words about my husband’s loss of his memories. When Richard and I spoke our freshly written passages to each other in our sunlit kitchen, we would hold hands and cry. At first, I was hesitant to share such emotional experiences with strangers, yet I found myself agreeing to travel. Weeks passed. One day, I realized I could make a book to take to the event. I brainstormed, played, asked a lot of questions, and within ten days a new book arrived at our doorstep.

The essays selected for this book have been published in Brevity, The Southern Review, Cold Mountain Review, Side B. They were some of my favorite pieces I’d written, mostly because I’d put my heart in writing. I’d said some things I’d never publicly proclaimed. I’d told some family stories that were beautiful and wrenching and, once upon a time, secret. Now I was trying to be transparent, to see if I could stop dreading rejection and judgment. While I keep what is private, or what I consider to be sovereign, my memoir writing demonstrates (to me, mostly) that I don’t have anything to fear. I have no reputation to uphold. As my husband so gracefully shows me, I’m in a relationship with the present, where what matters is authenticity, not social status. This truth arrived on the page first through writing about our family’s changes in the wake of the TBI. Without the friendship and counsel of Warren Etheredge, Judith Laxer, Pamela Grace, Laurie Wagner, Trey Gunn, Waverly Fitzgerald, Carole Harmon, Sheila Belanger, Priscilla Long and Benjamin Smythe, and everyone who challenged me to radical honesty and deliberate transparency, I wouldn’t have had the courage to send our story out there. Thank you.

Ever since the day Creation Story began to be shared, we’ve been in wonder at the responses from friends, family and strangers. Some people from Richard’s past hadn’t known what happened to him, and there was the book announcement, declaring on facebook and twitter and linkedin that he’d had a brain injury that took the memories of his life. When I shared his story with a group of soldiers from Fort Lewis, nearly all of them could relate to the bewildering changes of personality and identity that Richard experienced. A former colleague of Richard’s reconnected to say, “He was always happy, smiling and proudly talked about your family. He simply loves life. With your family’s tremendous love, support and with Richard’s determination, I’m not at all surprised that he has been able to recover, remember, relearn and return to life.”

Another friend wrote, “I’m haunted in the most delicious ways, imagining what it might be to completely forget. I try to hold my entire history/story as if it was happening now, to keep alive in my mind how wonderful or terrible it was. I’m in the process of dissipating it all, like a pile of debris, imagining how it would be to have every minute, every taste, every touch, every interaction to be new, unheard of, unfelt.”

Our big story, the memoir we spent much of the year writing, is finding its way to the allies who will help it find its audience. In the meantime, we’re sending Creation Story out to people.

If you’d like to help get the book into the hands of those you think might benefit, please write us and ask for a free copy. If you want to take it to cancer survivors, people in recovery from TBI, hospitals, coffee shops, book clubs, or give it to your best friends, we want to send you Creation Story. Just ask whomever you give a copy to keep it moving.

And if you’d like to buy a book yourself you can find Creation Story here.

Posted at 12:56pm and tagged with: tbi, book, cancer,.

New Essay Collection!     

This month I sent out my little book of essays, Creation Story. It was so natural to say yes to the making of this book. It began when a poet asked me to come to Orcas Island to read for their salon series.

     “You realize I haven’t published my memoir yet?” I said.

     “I’m so moved by your piece in Brevity. I want you to come here to share with our community. Read anything you want.”

     I’d read my work publicly before, but never any of the words about my husband’s loss of his memories. When Richard and I spoke our freshly written passages to each other in our sunlit kitchen, we would hold hands and cry. At first, I was hesitant to share such emotional experiences with strangers, yet I found myself agreeing to travel. Weeks passed. One day, I realized I could make a book to take to the event. I brainstormed, played, asked a lot of questions, and within ten days a new book arrived at our doorstep.

     The essays selected for this book have been published in Brevity, The Southern Review, Cold Mountain Review, Side B. They were some of my favorite pieces I’d written, mostly because I’d put my heart in writing. I’d said some things I’d never publicly proclaimed. I’d told some family stories that were beautiful and wrenching and, once upon a time, secret. Now I was trying to be transparent, to see if I could stop dreading rejection and judgment. While I keep what is private, or what I consider to be sovereign, my memoir writing demonstrates (to me, mostly) that I don’t have anything to fear. I have no reputation to uphold. As my husband so gracefully shows me, I’m in a relationship with the present, where what matters is authenticity, not social status. This truth arrived on the page first through writing about our family’s changes in the wake of the TBI.  Without the friendship and counsel of Warren Etheredge, Judith Laxer, Pamela Grace, Laurie Wagner, Trey Gunn, Waverly Fitzgerald, Carole Harmon, Sheila Belanger, Priscilla Long and Benjamin Smythe, and everyone who challenged me to radical honesty and deliberate transparency, I wouldn’t have had the courage to send our story out there. Thank you.

     Ever since the day Creation Story began to be shared, we’ve been in wonder at the responses from friends, family and strangers. Some people from Richard’s past hadn’t known what happened to him, and there was the book announcement, declaring on facebook and twitter and linkedin that he’d had a brain injury that took the memories of his life. When I shared his story with a group of soldiers from Fort Lewis, nearly all of them could relate to the bewildering changes of personality and identity that Richard experienced. A former colleague of Richard’s reconnected to say, “He was always happy, smiling and proudly talked about your family. He simply loves life. With your family’s tremendous love, support and with Richard’s determination, I’m not at all surprised that he has been able to recover, remember, relearn and return to life.”

     Another friend wrote, “I’m haunted in the most delicious ways, imagining what it might be to completely forget. I try to hold my entire history/story as if it was happening now, to keep alive in my mind how wonderful or terrible it was. I’m in the process of dissipating it all, like a pile of debris, imagining how it would be to have every minute, every taste, every touch, every interaction to be new, unheard of, unfelt.” 

     Our big story, the memoir we spent much of the year writing, is finding its way to the allies who will help it find its audience. In the meantime, we’re sending Creation Story out to people. 

     If you’d like to help get the book into the hands of those you think might benefit, please write us and ask for a free copy. If you want to take it to cancer survivors, people in recovery from TBI, hospitals, coffee shops, book clubs, or give it to your best friends, we want to send you Creation Story.  Just ask whomever you give a copy to keep it moving.

     And if you’d like to buy a book yourself you can find Creation Story here.

You Can Die Trying

1.
I woke up sobbing this month. From a dream. Not little tears. Not whimpers. Great gasps and wails.

In the dream I am in an ancient ritual, and then everything goes quiet. I close my eyes and I hear the forest — birds, insects, trees, wind. My body is replete with the wilderness. The scene shifts with a force. The forest is dying. The wild is becoming a wasteland. I keen myself awake.

I have screamed, grunted, snored, shouted, swore and spit in a dream. I have never before cried there.

2.
I rarely cry. I stopped crying when my husband incurred an anoxic insult that altered his brain. He cries over all kinds of things now, usually with joy, often over stories of other people. When we were writing a memoir about our experience after the trauma, he cried every time he read his pieces aloud. He is a physical therapist, and he cries at the end of the day when he tells me stories about the people he helps to walk and run and play again after their debilitating injuries. He cries when one of his children does something wonderful. The more tender he becomes, the less I want to cry. Instead, I toughen up. I write sitting in my kitchen, staring at an old cedar that sways and sheds in the winter storms. I feel like her, gnarled but not broken.

This stoic strength makes my wailing dream even stranger. Why am I crying in my sleep when I mostly don’t during the day? Am I walling myself off from despair? Am I trying not to feel this decay of the wild things?

3.
A friend introduces me to some new people at a coffee tasting. The others, all men as it turns out, offer wise critique of the presentation, the grinds, the music, the flavor, the barista. I can tell you what one man’s lips look like when he suppresses a smile. I can say how each man held a gaze. I can show you how their legs looked under the table when they were relaxed, and how their hands moved when they were speaking. I can’t remember what we talked about, or even much about why I was there. I can tell you every emotion that swayed me, and how I imagined what they were feeling. This has been the way of it since I was a little girl. Often I can’t look at people while I am talking because I am sensing their gaze and gestures and body so intensely that I lose language.

I talk with one man about drinking coffee in Italy — the stand-up gelato shops, the art and conversation of the caffe. We stand smiling at each other, thinking of our private memories of travel. I like to think that if I was going to hang out for a few hours with this potential new friend, I might tell him that I cried in my dream. I imagine that I am just that forthcoming, that I can risk not caring what he thinks, that I can risk seeming insipid, or puerile, or pathetic. The truth is, I’ve spent a lifetime avoiding saying essential things. As a Southerner, a Catholic schoolgirl, a public relations professional, a fundraiser, I am practiced at knowing what to say to please people. Turns out, it takes a lot of effort to be phony.

In the last decade, I’ve been getting better at doing and saying what I want. I’ve started to write some things down I’ve never told anyone before. I don’t do this to fix things, or to be known, or to trade in secrets. I say things now because it feels like something is getting worked out through me. Some mystery. Perhaps some knowing will speak and I will memorize its gestures and turn that magic onto a page where it will be preserved.

4.
A few days before I have the crying dream, my uncle dies. When I tell my friend Wendy, she says, “Sorry about your Uncle Boonie. You’re lucky to have had one.” And I know what she means. There was only one possible. There he was, and then he was gone. He was my father’s brother, and he consoled me at my dad’s funeral by having a long conversation about life and how we know so little about what we will be given here. I don’t remember what he said exactly, but I do recall how he spoke downwards, into my right shoulder, his eyes barely rising to meet mine, so unshowily humble, that my daughter, who was trying to take a picture of us, had to wait a good ten minutes for him to raise his head. I’m sad that I was not able to go to his funeral, and that I didn’t take the time to record his stories, and that I haven’t spent much time with an entire generation of Kentucky farmers that is passing by. I’ve lost kin and friends, yet when Boonie dies something else drops away that I never expected.

I keep thinking I can preserve a life. And it isn’t possible.

5.
My husband’s brain injury took his memories and altered his personality. I am grateful to be with the same long legs and sweet smile and generous nature that I remember, even though the rest of him left. I wrote my way out of my grief for what was lost, wrote some essays and a book, and filled journals and letters with my disbelief and rage. I chronicled our lives in a similar way Boonie and the family harvested and stripped tobacco, with the daily industriousness of the work of the season, my back bent over the words, time chasing a recollection that turns out, like smoke, to be transient and unimportant. All along, the eventual miracle had been happening elsewhere, the miracle of finding yourself in love with a new person in the body of a lover you once knew.

6.
The forest is like that lover.

When I go out into the wilderness, I experience the same erotic pleasure as I do with a lover. There is no sensual difference between rolling around in the leaves and rolling with a human body. I have had orgiastic delight in trees and over rocks and against the wind and inside the sea and under the sun. For several years it has been my practice to go into the forest at least once a month, and to leave the city entirely for a month every summer. This is how I stay sane, I tell friends. The forest woos me, and I adore it in return.

And I have erred in thinking that the forest is mine. That because the forest is a beloved, that it will not be altered. This refusal occurs despite the apparent reality of climate change and wildfires and insect outbreaks and human plunder. Until the intrusion of despair into my waking state, I imagined the forest was always going to be there when I wanted it. I imagine that the wilderness is protected because so many people happily enjoy it.

The forest death of my dream isn’t like an uncle dying from being well-used, or a husband’s identity dying in a flash. It isn’t even like a natural cycle of wilderness decay. No, this is an unnatural winter. The trees have been breathing our human share of carbon dioxide, absorbing our use of cars and trucks. Trees, those carbon sponges, have been doing more than their share. We depend upon the forest for our very livelihood. Now the trees are in peril, many of the forests are releasing gas back into the environment, speeding up climate change. With growing economic problems around the globe, there are scarce resources to buy restitution of the North American forests wiped out by pine beetles, or the Amazonian forests destroyed by weather, or deforestation for agriculture in Brazil, or the explosive fires in the American Southwest, or the death of a Siberian forest the size of Pennsylvania.

‘So what can I do?,’ I might have said before the dream. Destruction is the way of things here. I can preserve nothing. Not one life.

And yet, I can keen myself awake. I can work for climate legislation. I can give part of my income to preservation efforts. I can measure our family’s fossil fuel use. I can make the necessary changes. I can ask my friends to join me. I can love the beauty and communion while witnessing the reality. I can stop pretending the earth will remain as I wish. In the unknowing of any being’s death, I can risk being with.

7.
Truth: You can’t save anything. Not really. We’re on a planet careening towards a red giant.* We will die, sooner or later; our bodies will change form; our memories will leave. Thinking that we’re some body with an inside self and an outside world might even slip away (exposing the peace – or whatever— that is at the heart of us.)

Dare: You can die trying.

I’ve been trying to preserve things since I was a child, imagining I could keep myself safe if I can understand the rules here. In some imaginary future, I might please people or piss them off. How would I ever get that ‘right’? They would only be praising or condemning their story about me anyway. The rules are false because they suggest I need something more than this. Or that what works for you to connect with your world will also work for me. In dropping the desire to protect myself, I open myself to tears, to others, to the wild that is not separate.

*Thanks to Benjamin Smythe for this and other insights.

Image: iStock, Pine beetles, as a result of climate change, destroy Rockies forests.

Posted at 8:54am and tagged with: death, climate change, non duality, TBI, coffee, dreams,.

You Can Die Trying

1.
I woke up sobbing this month. From a dream. Not little tears. Not whimpers. Great gasps and wails. 

In the dream I am in an ancient ritual, and then everything goes quiet. I close my eyes and I hear the forest — birds, insects, trees, wind.  My body is replete with the wilderness. The scene shifts with a force. The forest is dying.  The wild is becoming a wasteland. I keen myself awake.

I have screamed, grunted, snored, shouted, swore and spit in a dream. I have never before cried there.

2.
I rarely cry. I stopped crying when my husband incurred an anoxic insult that altered his brain. He cries over all kinds of things now, usually with joy, often over stories of other people. When we were writing a memoir about our experience after the trauma, he cried every time he read his pieces aloud. He is a physical therapist, and he cries at the end of the day when he tells me stories about the people he helps to walk and run and play again after their debilitating injuries. He cries when one of his children does something wonderful. The more tender he becomes, the less I want to cry. Instead, I toughen up. I write sitting in my kitchen, staring at an old cedar that sways and sheds in the winter storms.  I feel like her, gnarled but not broken. 

This stoic strength makes my wailing dream even stranger. Why am I crying in my sleep when I mostly don’t during the day? Am I walling myself off from despair? Am I trying not to feel this decay of the wild things? 

3.
A friend introduces me to some new people at a coffee tasting. The others, all men as it turns out, offer wise critique of the presentation, the grinds, the music, the flavor, the barista. I can tell you what one man’s lips look like when he suppresses a smile. I can say how each man held a gaze. I can show you how their legs looked under the table when they were relaxed, and how their hands moved when they were speaking. I can’t remember what we talked about, or even much about why I was there. I can tell you every emotion that swayed me, and how I imagined what they were feeling. This has been the way of it since I was a little girl. Often I can’t look at people while I am talking because I am sensing their gaze and gestures and body so intensely that I lose language. 

I talk with one man about drinking coffee in Italy — the stand-up gelato shops, the art and conversation of the caffe. We stand smiling at each other, thinking of our private memories of travel. I like to think that if I was going to hang out for a few hours with this potential new friend, I might tell him that I cried in my dream. I imagine that I am just that forthcoming, that I can risk not caring what he thinks, that I can risk seeming insipid, or puerile, or pathetic. The truth is, I’ve spent a lifetime avoiding saying essential things. As a Southerner, a Catholic schoolgirl, a public relations professional, a fundraiser, I am practiced at knowing what to say to please people.  Turns out, it takes a lot of effort to be phony.  

In the last decade, I’ve been getting better at doing and saying what I want. I’ve started to write some things down I’ve never told anyone before. I don’t do this to fix things, or to be known, or to trade in secrets.  I say things now because it feels like something is getting worked out through me. Some mystery. Perhaps some knowing will speak and I will memorize its gestures and turn that magic onto a page where it will be preserved.

4.
A few days before I have the crying dream, my uncle dies. When I tell my friend Wendy, she says, “Sorry about your Uncle Boonie. You’re lucky to have had one.” And I know what she means. There was only one possible. There he was, and then he was gone. He was my father’s brother, and he consoled me at my dad’s funeral by having a long conversation about life and how we know so little about what we will be given here. I don’t remember what he said exactly, but I do recall how he spoke downwards, into my right shoulder, his eyes barely rising to meet mine, so unshowily humble, that my daughter, who was trying to take a picture of us, had to wait a good ten minutes for him to raise his head. I’m sad that I was not able to go to his funeral, and that I didn’t take the time to record his stories, and that I haven’t spent much time with an entire generation of Kentucky farmers that is passing by. I’ve lost kin and friends, yet when Boonie dies something else drops away that I never expected. 

I keep thinking I can preserve a life. And it isn’t possible.

5.
My husband’s brain injury took his memories and altered his personality. I am grateful to be with the same long legs and sweet smile and generous nature that I remember, even though the rest of him left. I wrote my way out of my grief for what was lost, wrote some essays and a book, and filled journals and letters with my disbelief and rage. I chronicled our lives in a similar way Boonie and the family harvested and stripped tobacco, with the daily industriousness of the work of the season, my back bent over the words, time chasing a recollection that turns out, like smoke, to be transient and unimportant.  All along, the eventual miracle had been happening elsewhere, the miracle of finding yourself in love with a new person in the body of a lover you once knew. 

6.
The forest is like that lover.

When I go out into the wilderness, I experience the same erotic pleasure as I do with a lover. There is no sensual difference between rolling around in the leaves and rolling with a human body. I have had orgiastic delight in trees and over rocks and against the wind and inside the sea and under the sun. For several years it has been my practice to go into the forest at least once a month, and to leave the city entirely for a month every summer. This is how I stay sane, I tell friends. The forest woos me, and I adore it in return.

And I have erred in thinking that the forest is mine. That because the forest is a beloved, that it will not be altered. This refusal occurs despite the apparent reality of climate change and wildfires and insect outbreaks and human plunder. Until the intrusion of despair into my waking state, I imagined the forest was always going to be there when I wanted it. I imagine that the wilderness is protected because so many people happily enjoy it. 

The forest death of my dream isn’t like an uncle dying from being well-used, or a husband’s identity dying in a flash. It isn’t even like a natural cycle of wilderness decay. No, this is an unnatural winter. The trees have been breathing our human share of carbon dioxide, absorbing our use of cars and trucks. Trees, those carbon sponges, have been doing more than their share. We depend upon the forest for our very livelihood. Now the trees are in peril, many of the forests are releasing gas back into the environment, speeding up climate change. With growing economic problems around the globe, there are scarce resources to buy restitution of the North American forests wiped out by pine beetles, or the Amazonian forests destroyed by weather, or deforestation for agriculture in Brazil, or the explosive fires in the American Southwest, or the death of a Siberian forest the size of Pennsylvania. 

‘So what can I do?,’ I might have said before the dream. Destruction is the way of things here. I can preserve nothing. Not one life.

And yet, I can keen myself awake. I can work for climate legislation. I can give part of my income to preservation efforts. I can measure our family’s fossil fuel use. I can make the necessary changes. I can ask my friends to join me. I can love the beauty and communion while witnessing the reality. I can stop pretending the earth will remain as I wish. In the unknowing of any being’s death, I can risk being with. 

7.
Truth: You can’t save anything. Not really. We’re on a planet careening towards a red giant.* We will die, sooner or later; our bodies will change form; our memories will leave. Thinking that we’re some body with an inside self and an outside world might even slip away (exposing the peace – or whatever— that is at the heart of us.) 

Dare: You can die trying. 

I’ve been trying to preserve things since I was a child, imagining I could keep myself safe if I can understand the rules here. In some imaginary future, I might please people or piss them off. How would I ever get that ‘right’? They would only be praising or condemning their story about me anyway. The rules are false because they suggest I need something more than this. Or that what works for you to connect with your world will also work for me. In dropping the desire to protect myself, I open myself to tears, to others, to the wild that is not separate. 

*Thanks to Benjamin Smythe for this and other insights.

Image: iStock, Pine beetles, as a result of climate change, destroy Rockies forests.

Ten Best Meals of My Life (Thus Far)

This is my favorite essay (thus far.) Partly because my mentor Priscilla Long gave us the assignment in one of her fine classes, and I loved its form. Partly because I have a not-so-secret love of food. This piece also helped me know that what makes a meal the best are the ways the interactions happen around it. What do I learn in the repast? That the essay’s home became the extraordinary Cold Mountain Review at Appalachian State University makes me (and I suspect my ancestors) very happy.

1. Four years old. Oak trees, corn fields, white clapboard house. Aunts, uncles, cousins, a smattering of priests and nuns. The smoke from Kentucky burgoo and mutton, a barbecue tradition passed down six generations. Me in a starched smock sitting on a quilt on top of the hand-cranked ice cream bucket, holding the ice still with my weight while my grandfather heaves muscle into the turn. Grandaddy’s broad laughter, my little body lifted from the wooden churner, the salty ice scraped away, the lid slid from the steel canister, the dasher raised for my tongue. Ambrosial, icy, crystalline, snow-colored, custardy. Being the first. Sweet reverie.

Read more at Cold Mountain Review here.

Posted at 7:49am and tagged with: food, Appalachia, Cold Mountain Review, Kentucky, childhood, writing,.

Ten Best Meals of My Life (Thus Far)

This is my favorite essay (thus far.) Partly because my mentor Priscilla Long gave us the assignment in one of her fine classes, and I loved its form. Partly because I have a not-so-secret love of food. This piece also helped me know that what makes a meal the best are the ways the interactions happen around it. What do I learn in the repast? That the essay’s home became the extraordinary Cold Mountain Review at Appalachian State University makes me (and I suspect my ancestors) very happy.
1.  Four years old. Oak trees, corn fields, white clapboard house. Aunts, uncles, cousins, a smattering of priests and nuns. The smoke from Kentucky burgoo and mutton, a barbecue tradition passed down six generations. Me in a starched smock sitting on a quilt on top of the hand-cranked ice cream bucket, holding the ice still with my weight while my grandfather heaves muscle into the turn. Grandaddy’s broad laughter, my little body lifted from the wooden churner, the salty ice scraped away, the lid slid from the steel canister, the dasher raised for my tongue. Ambrosial, icy, crystalline, snow-colored, custardy. Being the first. Sweet reverie.

Read more at Cold Mountain Review here.

“When people deem an image obscene, often it’s not just because it shows someone naked, but because it shows someone who is empowered.”
~Wolfgang Tillmans

Also more about his artist statement here. Note: NSFW.

Posted at 6:47pm and tagged with: Wolfgang Tillmans, photography,.

“When people deem an image obscene, often it’s not just because it shows someone naked, but because it shows someone who is empowered.”
~Wolfgang Tillmans

Also more about his artist statement here. Note: NSFW.

Birthday Exhibit III

See the following two posts for more about the Birthday Project that I decided to create, inspired by Sophie Calle.

I’d title this image “Husband Coming Out Of The Fog.” It was taken in 2012, at Mt. Rainier, where we hike every summer and autumn.

Here’s what Richard had to say, and why he’s so easy to love:

What has love made me capable of doing….
“While I can’t say this with absolute certainty, because nothing in my life has been absolutely certain, at least not for the last 9 1/2 years, I would say that love brought me back from death. Literally. I believe that it was my love for my life, and love for my wife that kept my heart beating and my lungs pumping when they wanted to fail after my cancer surgery. I believe it was the vision of what has been (and yet could be) that kept my brain alive when it was deprived of the oxygen it needed to function properly. And I believe that it was love that gave me the strength to recover as well as I have today…forgetful, sure…but happy and healthy and living my life with the woman I love, with all my heart.”

Posted at 12:51pm.

Birthday Exhibit III

See the following two posts for more about the Birthday Project that I decided to create, inspired by Sophie Calle.

I’d title this image “Husband Coming Out Of The Fog.” It was taken in 2012, at Mt. Rainier, where we hike every summer and autumn.

Here’s what Richard had to say, and why he’s so easy to love:

What has love made me capable of doing….
“While I can’t say this with absolute certainty, because nothing in my life has been absolutely certain, at least not for the last 9 1/2 years, I would say that love brought me back from death. Literally. I believe that it was my love for my life, and love for my wife that kept my heart beating and my lungs pumping when they wanted to fail after my cancer surgery. I believe it was the vision of what has been (and yet could be) that kept my brain alive when it was deprived of the oxygen it needed to function properly. And I believe that it was love that gave me the strength to recover as well as I have today…forgetful, sure…but happy and healthy and living my life with the woman I love, with all my heart.”

Birthday Exhibit

More delicious notions about the question:
What has love made you capable of doing?

The first two images (click to enlarge) are from Julia Harmon Hutchings and Carole Harmon, daughter and mother, business partners, artists. We have known each other for 26 years, since our girls were born. Our young women are friends, and we are all friends and allies for each other. Our friendship has expanded with each passing era. Love has made us capable of sitting with each other, through all of the changes of our lives and minds. I am so thankful for these women.

The latter image is from my daughter, Dylan Nichole Bandy. She’s a force. Love has made me capable of shutting the fuck up and letting her brilliance emerge. That’s pretty much the best thing I’ve ever done as one-who-loves. Let it be. (When I learned how to, that is.)

*
This mother-daughter story. The first memory I have of my life is of walking down the driveway of our Kentucky home, hot blacktop under my three year old feet. The baby pool is near the door, where my mother can watch me. Sometimes she fills it up with Mr. Bubble and lets me play all day. Today (and I have no notion of time, but this is how I tell the story now) I do not want the pool. I want to walk to the tree at the end of the driveway. Tree beckons. Not tree exactly, but the shape within a shape. I see everything as one. Life shimmers. The tree is a wild ecstasy of light, pulsing with color. Ribbons of light connect to the sun and to the sky and to the ground and to my feet. People and animals and vehicles and things move in the shimmer. We undulate. We bounce. We ripple.

My mother’s voice. She is in distress. I do not want to turn back to the house. I must get to the tree. More angst from behind me. I stop moving. I must help her. I turn back. The shimmer fragments. I am in their world.

*

“Love is the gravy that holds the biscuits together. It has allowed me to raise 6 kids, love 2 husbands and forgive the Lord for how little concern He has for people who aren’t white.” ~ Grammy Snoot

*

What has love made you capable of doing?
from Kathryn Gilmore

Love…
…allowed me to spoon feed my mother cut up, miniscule pieces of Boston Chicken roasted turkey and small spoonfuls of warm mashed potatoes and little bits of her beloved Häagen-Dazs coffee ice cream when she was unable to feed herself. Love allowed me to urge my brother and father to tell her that it was ok to pass on – that we’d be fine. Love allowed me to search through her closet for her favorite, comfy outfit and dress her cooling body before the people from the funeral home rolled her softly out of the house. Love allowed me to endure those ten months of sorrow and difficulty and unthinkable times in my mom and dad’s house with grace and patience and to see it as an honor.
Love…
…allowed me to open up and let others hold me as I battled cancer. It let me ask for help. It brought the most amazing women into my life in advance of my illness so that I was taken care of in the most extraordinary manner. Love brought me my sherpas and allowed me to heal.
Love…
…made me capable of spending recent days in Fargo, as we laid my grandmother to rest, without one moment of anxiety or resentment or other, common familiar angst. Love allowed me to be present when my grandmother spoke to me in my dreams and told me in no uncertain terms that “love is all that matters.”
Love…
… is making me capable of accepting and loving myself, of finally believing that I am enough.
Sonya…
… you taught me to love. Your wisdom and laughter and irreverence and moxie … this demonstrated to me what love is. Your relationship with your beloved family … this taught me what love looks like. Your unfailing encouragement and acceptance of me … your belief in me taught me what love can do. Your love of me made me capable of loving.

Posted at 11:17am and tagged with: birthday, artists, love,.

For my birthday this year, I decided to take some inspiration from the exhibit Elles, and in particular the artist Sophie Calle. I sent a letter to a few working artist friends and soul sisters that said:

“Inspired by the recent Elles show at the Seattle Art Museum, and in particular, the work of Sophie Calle,* who asks amazing questions and finds her art in her life, I am curating a show for my birthday (January 12). You are the art. You can submit, or not. You can use your name, make up a name, come anonymously or not at all. Even your ‘no’ is inclusive and important.
I would like to invite you to answer the question:
What has love made you capable of doing?”

Some of their responses will show up here, on our blog. Some will be private, for inspiration, and play. Others might happen at a party, whenever I feel like having one.

I am starting things off with an inventory of the ways I have been capable of loving. Maybe next year, I can add a few more. For I forgive. I learn. The heart expands.

What about you?
What has love made you capable of doing?

For love I can
quit drinking,
start swearing,
take the blows of my father,
and change his diapers a few decades later.

For love I can
move to the country of cancer,
push clotted blood through chest tubes,
adore a husband who has few memories,
love the times we have died to each other,
and get ready to die again.

For love I can
tell the truth,
lie,
make up stories,
make 11,000 dinners (and counting),
eat what they like to eat
(but never, ever innards) – there are some limits to love.

For love I can
lose my job,
lose sleep,
lose the ways I’ve mothered,
lose my expectations,
lose my mind,
lose who I think I am,
lose my love and love anyway.


(Family walk through snow, Mt. Rainier, 2002 by Sonya Lea)

Check out Sophie Calle here.

Posted at 12:08pm and tagged with: love, birthday, elles, seattle art museum, sophie calle,.

For my birthday this year, I decided to take some inspiration from the exhibit Elles, and in particular the artist Sophie Calle. I sent a letter to a few working artist friends and soul sisters that said:

“Inspired by the recent Elles show at the Seattle Art Museum, and in particular, the work of Sophie Calle,* who asks amazing questions and finds her art in her life, I am curating a show for my birthday (January 12). You are the art. You can submit, or not. You can use your name, make up a name, come anonymously or not at all. Even your ‘no’ is inclusive and important.
I would like to invite you to answer the question:
What has love made you capable of doing?”

Some of their responses will show up here, on our blog. Some will be private, for inspiration, and play. Others might happen at a party, whenever I feel like having one.

I am starting things off with an inventory of the ways I have been capable of loving. Maybe next year, I can add a few more. For I forgive. I learn. The heart expands. 

What about you? What has love made you capable of doing?

For love I can 
quit drinking, 
start swearing,
take the blows of my father,
and change his diapers a few decades later. 

For love I can
move to the country of cancer, 
push clotted blood through chest tubes,
adore a husband who has few memories,
love the times we have died to each other,
and get ready to die again.

For love I can
tell the truth,
lie,
make up stories,
make 11,000 dinners (and counting),
eat what they like to eat 
(but never, ever innards) – there are some limits to love.

For love I can
lose my job,
lose sleep,
lose the ways I’ve mothered,
lose my expectations,
lose my mind,
lose who I think I am,
lose my love and love anyway.

(Family walk through snow, Mt. Rainier, 2002 by Sonya Lea)

Check out Sophie Calle here.
Aldous Huxley

Posted at 3:43pm.

Every man’s memory is his private literature.

One of the surprising aspects of recovery from a traumatic brain injury is how often and thoroughly risk-taking heals. Novel experiences brought back Richard’s speech and relating skills, improved them so dramatically that we began to call our method The Adventure Cure. Adventure could be found in world travel, wilderness excursions, recreational play, stimulating games and our favorite, in the celebration of food. I’m no Pioneer Woman, but food is really important in our lives. Food is sensuality and nourishment and divinity. Food is communication in a home where words aren’t always possible or preferred. Food provides a ritual to learn who people really are, their choices and expressions and uniqueness.

At the end of the year, Cold Mountain Review out of Appalachian State University, in my native South, will publish one of the favorite essays I’ve ever written, “The Ten Best Meals of My Life (Thus Far).” The impetus for the piece came in one of those brilliant timed-writing exercises my amazing mentor, Priscilla Long, developed for our advanced writer’s seminar.

We were studying list essays, ones like the spectacular Wallace Stevens piece, “Thirteen Ways of Looking At A Blackbird.” And of course we’d read Priscilla’s incredible piece, which won the National Magazine Award, “Genome Tome: Twenty-Six Ways of Looking At Our Ancestors.” One day in class, Priscilla said, “If you were going to develop a list essay, what kind of piece would you like to write? Three minutes. Go.” On my list of lists were potential pieces like Ten Things About Being An Artist Mama, and Twenty Things Canadians Know (that Americans Won’t Imagine), and Fifty Ways To Leave Your Mother. (I’m still delving into research on the latter…) But what captivated me, as it nearly always has since the day I began cooking for our family at twelve, was the subject of food.

The memories that made it into my top ten best meals were unexpected. Not the most expensive or luxurious or quirky meals, but the events that could make my mouth savor a morsel and a moment that was forever out of reach. The first ice cream my grandfather offered me at four years old. The hearty meal after a difficult labor and delivery of our first-born. The food scarfed on the fly in a cancer hospital, when you’re exhausted and grateful to be alive. My best meals had always been about the love that certain gatherings carry, their genuine sweetness. In my piece I write of one such moment: “…it is as if our rational, vernacular selves have evaporated, and we are living on tears and elation and lenity.”

In this holiday season, share the kind of meals that make wondrous moments. What would the ten best meals of your life be? Can you make one today?

(Photo - Bar Checco, Trastevere, Italy, by Sonya Lea)

Posted at 8:07pm and tagged with: food, Italy, brain injury, meals, cancer, essays, Pioneer Woman,.

One of the surprising aspects of recovery from a traumatic brain injury is how often and thoroughly risk-taking heals. Novel experiences brought back Richard’s speech and relating skills, improved them so dramatically that we began to call our method The Adventure Cure. Adventure could be found in world travel, wilderness excursions, recreational play, stimulating games and our favorite, in the celebration of food. I’m no Pioneer Woman, but food is really important in our lives. Food is sensuality and nourishment and divinity. Food is communication in a home where words aren’t always possible or preferred. Food provides a ritual to learn who people really are, their choices and expressions and uniqueness.

At the end of the year, Cold Mountain Review out of Appalachian State University, in my native South, will publish one of the favorite essays I’ve ever written, “The Ten Best Meals of My Life (Thus Far).” The impetus for the piece came in one of those brilliant timed-writing exercises my amazing mentor, Priscilla Long, developed for our advanced writer’s seminar. 

We were studying list essays, ones like the spectacular Wallace Stevens piece, “Thirteen Ways of Looking At A Blackbird.” And of course we’d read Priscilla’s incredible piece, which won the National Magazine Award, “Genome Tome: Twenty-Six Ways of Looking At Our Ancestors.” One day in class, Priscilla said, “If you were going to develop a list essay, what kind of piece would you like to write? Three minutes. Go.” On my list of lists were potential pieces like Ten Things About Being An Artist Mama, and Twenty Things Canadians Know (that Americans Won’t Imagine), and Fifty Ways To Leave Your Mother. (I’m still delving into research on the latter…) But what captivated me, as it nearly always has since the day I began cooking for our family at twelve, was the subject of food.

The memories that made it into my top ten best meals were unexpected. Not the most expensive or luxurious or quirky meals, but the events that could make my mouth savor a morsel and a moment that was forever out of reach. The first ice cream my grandfather offered me at four years old. The hearty meal after a difficult labor and delivery of our first-born. The food scarfed on the fly in a cancer hospital, when you’re exhausted and grateful to be alive. My best meals had always been about the love that certain gatherings carry, their genuine sweetness. In my piece I write of one such moment: “…it is as if our rational, vernacular selves have evaporated, and we are living on tears and elation and lenity.”

In this holiday season, share the kind of meals that make wondrous moments. What would the ten best meals of your life be? Can you make one today?

(Photo - Bar Checco, Trastevere, Italy, by Sonya Lea)